For the duration of the once-a-year 3daysofdesign competition held throughout Copenhagen, Denmark, from June 15 to 17, the Henning Larsen Architects–designed Fritz Hansen Pavilion was the centerpiece of the weekend, as it hosted around 15,500 readers. The pavilion is staged in the Grønnegården, Designmuseum Denmark’s yard, where it will continue to be till mid-autumn. The building showcased home furniture produced by Fritz Hansen and very well-regarded designers, these kinds of as Arne Jacobsen, Cecilie Manz, and Hans J. Werner, as a way to celebrate the company’s 150th anniversary.
Fritz Hansen collaborated with Henning Larsen Architects to recognize a room that mirrors its values of classic Scandinavian design when also incorporating modern functions. Being aware of this, Henning Larsen Architects made the 89-foot by 45-foot pavilion using purely natural resources: Framed in black-painted glue-laminated timber, the pavilion is clad in pine siding and polycarbonate infill panels. Its irregular, pentagonal form improvements in profile across the length of the creating. The entrance and again of the framework appear to be oblique as a result of the wood shingles, which offers an interesting contrast to the foggy transparency of the polycarbonate panels. Commencing as a lengthy, slender rectangle, the type rises to an offset ridge ahead of tapering again to a low condition.
In an interview, Marie-Louise Høstbo, resourceful style and design director at Fritz Hansen, mentioned the pavilion is a frame that displays “how heritage parts hook up with modern day parts.” The pavilion is developed to be assembled and disassembled in other locations for upcoming use. To that close, it takes advantage of stage-screw foundations which get rid of the will need for concrete piers. The polycarbonate tiles (generated from drinking water bottles) diffuse purely natural light-weight all through the interior, generating a serene ecosystem. These two supplies are bolted jointly with common instruments to make the assembly of the building uncomplicated. In addition, Troels Dam Madsen, associate design and style director at Henning Larsen, stated that the wood and polycarbonate modules were being pre-assembled at a manufacturing unit in advance of arriving to the Grønnegården. Henning Larsen used the common widths of the polycarbonate product to stay away from on-web site cuts, as these sluggish the assembly process. This to start with set up took about two and a 50 percent weeks to comprehensive, although Madsen estimated that disassembly is less complicated: It ought to consider a week or so.
The contrast among silent, classic kinds and the contemporary want for environmental sensitivity was mirrored in Fritz Hansen’s exhibition titled Shaping the Amazing. Within, the pavilion was divided into eight spots each individual staged distinctive furniture variations and functions offered by Fritz Hansen. These spaces incorporated configurations for hospitality, eating, get the job done, and leisure stocked with exclusive pieces: The premium dwelling area featured the Egg Chair and Swan Chair (designed by Jacobsen), the AJ House Work space centered on an AJ desk, a Ro and Fri corner showcased a couple of lounge chairs from that line, and the Kjærholm lounge highlighted do the job by designer Pool Kjærholm. All through the 3daysofdesign pageant, Skagerrak exhibited its outside furnishings outside the house the pavilion.
When the furniture set up was only on perspective throughout the opening weekend, the Fritz Hansen Pavilion will host creative workshops and courses for the remainder of its time in the Grønnegården. Then it will be disassembled and re-constructed at Fritz Hansen’s headquarters 20 miles north of Copenhagen in Allerød, Denmark.
Henning Larsen’s pavilion demonstrates that sustainable style and design is not just about resources, but also involves assemblies, processes, and lifecycles. As evidenced right here, a extra holistic idea of sustainability considers not just how resources can be used, but how they will be re-employed.
